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New Wave of Old Horror: 15 Great New Horror Films That Look Like They Were Made in the 1970s

It Follows

There’s still a very real burning desire within horror fans to see fantastic movies that aren’t decorated with millions of dollars in CGI, and the same old homes in the same old neighborhoods where the same old killers get to work getting bloody. Some of us want to take that trip back in time, even if it little more than an obvious illusion. If it works for us, where’s the harm?

We’ve put together an awesome list (yep, we’ve seen them all and fully support each and every one) of contemporary films that offer serious nods to vintage work. These flicks look grainy and aged. The costume design screams of yesteryear. Story takes place over tremendous explosions. They’re all exceptional, and if you haven’t seen these beasts yet, it may be time to start looking around.

It Follows (Read our review here)

Rating: A+

For nineteen-year-old Jay, Autumn should be about school, boys and week-ends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, something, is following her. Faced with this burden, Jay and her friends must find a way to escape the horrors, that seem to be only a few steps behind.

Absentia

Rating: B

Tricia’s husband Daniel has been missing for seven years. Her younger sister Callie comes to live with her as the pressure mounts to finally declare him ‘dead in absentia.’ As Tricia sifts through the wreckage and tries to move on with her life, Callie finds herself drawn to an ominous tunnel near the house. As she begins to link it to other mysterious disappearances, it becomes clear that Daniel’s presumed death might be anything but ‘natural.’ The ancient force at work in the tunnel might have set its sights on Callie and Tricia … and Daniel might be suffering a fate far worse than death in its grasp.

We Are Still Here (Read our review here)

Rating: B+

After their teenage son is killed in a car crash, Paul (Andrew Sensenig) and Anne (Barbara Crampton) move to the quiet New York countryside to try to start a new life for themselves. But the grieving couple unknowingly becomes the prey of a family of vengeful spirits that reside in their new home, and before long they discover that the seemingly peaceful town they’ve moved into is hiding a terrifyingly dark secret. Now they must find a way to overcome their sorrow and fight back against both the living and dead as the malicious ghosts threaten to pull their souls – and the soul of their lost son – into hell with them.

The Editor

Rating: B-

Rey Ciso was once the greatest editor the world had ever seen. Since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up in this absurdist giallo-thriller as Rey struggles to prove his innocence and learn the sinister truth lurking behind the scenes.

Francesca (Read our review here)

Rating: B+

It’s been 15 years since the disappearance of little Francesca, daughter of the renowned storyteller, poet and dramatist Vittorio Visconti, and the community is stalked by a psychopath bent on cleaning the city of “impure and damned souls”. Moretti and Succo, questioned by the ineffectiveness of the police force, are the detectives in charge of elucidating the mystery surrounding these “Dantesque” crimes. Francesca seems to have returned, but she is not be the same girl who everyone knew…

The Mind’s Eye (Read our review here)

Rating: A

Zack Connors and Rachel Meadows were born with incredible psychokinetic capabilities. When word of their supernatural talents gets out, they find themselves the prisoners of Michael Slovak, a deranged doctor intent on harvesting their powers. After a daring escape, they are free from his sinister institution, but the corrupt doctor will stop at nothing to track them down so that he may continue to siphon their gifts for his own use.

Pod

Rating: B-

A family intervention goes horrifically awry within the snowy confines of an isolated lake house.

Almost Human (Read our review here)

Rating: B+

Mark Fisher disappeared from his home in a brilliant flash of blue light almost two years ago. His friend Seth Hampton was the last to see him alive. Now a string of grisly, violent murders leads Seth to believe that Mark is back, and something evil is inside of him.

The Void (Read our review here)

Rating: A

When police officer Carter (Aaron Poole) discovers a blood-soaked man limping down a deserted road, he rushes him to a local hospital with a barebones, night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital where they discover a gateway to immense evil.

The Battery

Rating: B+

Two former baseball players, Ben (Jeremy Gardner) and Mickey (Adam Cronheim), cut an aimless path across a desolate New England. They stick to the back roads and forests to steer clear of the shambling corpses that patrol the once bustling cities and towns. In order to survive, they must overcome the stark differences in each other’s personalities. Ben embraces an increasingly feral, lawless, and nomadic lifestyle while Mickey is unable to accept the harsh realities of the new world and longs for the creature comforts he once took for granted. A bed, a girl, and a safe place to live. When the men intercept a radio transmission from a seemingly thriving, protected community, Mickey will stop at nothing to find it, even though it is made perfectly clear that he is not welcome.

Wolfcop 

Rating: A+

It’s not unusual for alcoholic cop Lou to black out and wake up in unfamiliar surroundings, but lately things have taken a turn for the strange…and hairy. WolfCop is the story of one cop’s quest to become a better man. One transformation at a time.

Beyond the Gates

Rating: B-

Two estranged brothers reunite at their missing father’s video store to liquidate the property and sell off his assets. As they dig through the store, they find a VCR board game dubbed ‘Beyond The Gates’ that holds a connection to their father’s disappearance and deadly consequences for anyone who plays it.

Ouija: Origin of Evil

Rating: A

In 1967 Los Angeles, a widowed mother and her 2 daughters add a new stunt to bolster their seance scam business, inviting an evil presence into their home.

Beyond the Black Rainbow

Rating: C+

Despite being under heavy sedation, a young woman tries to make her way out of the Arboria Institute, a secluded, quasifuturistic commune.

The Love Witch (Read our review here)

Rating: B+

Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However her spells work too well, and she ends up with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder. With a visual style that pays tribute to Technicolor thrillers of the 1970s, THE LOVE WITCH explores female fantasy and the repercussions of pathological narcissism.

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About The Overseer (2283 Articles)
Author of Say No to Drugs, writer for Blumhouse, Dread Central, Horror Novel Reviews and Addicted to Horror Movies.

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